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SAATH-SAATH: MUSIC ACROSS THE WATERS (Hong Kong)

SAATH-SAATH: MUSIC ACROSS THE WATERS (Hong Kong)

2017.12.01 Fri19:00 to 2017.12.01 Fri20:30

Hanart TZ Gallery, 401 Pedder Building, 12 Pedder Street, Central

Curated by Tejaswini Niranjana
Singers: Rutuja Lad, Bindhumalini Narayanswamy, Omkarnath Havaldar
Lyricist: Chow Yiu-Fai 周耀輝
Cantonese Vocal Coach / Performer :Natalie Yuen 袁梓烈

An evening of Hindustani classical music with 3 singers from India, including collaborative musical experiments with Cantopop.
Date & Time: Fri Dec 1, 2017 7:00 - 8:30pm
Venue: Hanart TZ Gallery, 401 Pedder Building, 12 Pedder Street, Central

Enquiry: 2616-7436;email: muspa@ln.edu.hk
Presented by: Kwan Fong Cultural Research & Development Programme, Lingnan University, West Heavens
Sponsored by Moonchu Foundation
西天中土WEST HEAVENS

SAATH-SAATH: MUSIC ACROSS THE WATERS

In November 2016, a video installation, authored by film-maker Surabhi Sharma and cultural theorist Tejaswini Niranjana, and titled "Riyaaz' (practice), was exhibited at the 11th Shanghai Biennale. As a collateral event of the Biennale, a series of workshops and performances called 'The Space of Riyaaz' took place, involving Indian and Chinese music.

Building on the collaborative energies of the November 2016 project, the Saath-Saath Project, extending over three years, will aim to achieve new collaborative outcomes with the participation of Indian and Chinese musicians. The Hindi word Saath means ‘together’.
The overall objective is to generate a strong interest in thinking through questions of cultural practice in Mainland China and Hong Kong with the inputs of scholars and musicians from India. A long-term goal would be to enlarge the scope of critical social science-humanities scholarship through connecting to the ways in which cultural practices like music-making help us interrogate the contemporary moment. What is our relationship to the past as we envisage it in Asia? What does it mean to acquire the skills to perform Indian classical music or play the pipa or act in Kunqu opera today? What do modes of performance and musical teaching styles in India and China tell us about how we relate to our everyday worlds? The first step in exploring some of these questions would be to develop collaborative conversations between musicians. The Saath-Saath Project enlists Indian and Chinese performers to open up avenues of musical conversation.

TEJASWINI NIRANJANA is Professor and Head of the Department of Cultural Studies at Lingnan University, Hong Kong. She has an MA in English and Aesthetics (1981) from the University of Bombay, an MPhil in Linguistics (1982) from the University of Pune, and a PhD (1988) from the University of California at Los Angeles. She taught for ten years in the English Department of the University of Hyderabad before moving to Bangalore to help set up the Centre for the Study of Culture and Society (CSCS) in 1998 which until 2014 offered an innovative PhD in Cultural Studies, the first of its kind in India. For her research work, Tejaswini has been awarded the Homi Bhabha Fellowship, the Sephis Fellowship, the Prince Claus Fund award (twice), the Rockefeller Fellowship, and the Sawyer Fellowship. Her publications include Mobilizing India: Women, Music and Migration between India and Trinidad (Durham, 2006) and Siting Translation: History, Post-structuralism and the Colonial Context (Berkeley, 1992). She has co-edited Interrogating Modernity: Culture and Colonialism in India (Kolkata, 1993) and Genealogies of the Asian Present: Situating Inter-Asia Cultural Studies (Delhi, 2015). She has co-produced, with Surabhi Sharma, the films Jahaji Music: India in the Caribbean, and Phir se Samm pe Aana (Returning to the first beat), a new documentary on Hindustani music in Mumbai. In 2015, she curated an exhibition in Mumbai titled Making Music-Making Space. At the 11th Shanghai Biennale, she and Surabhi Sharma showed a video installation titled Riyaaz (Practice).

Omkarnath Havaldar was born into a family of musicians, and was initiated into Hindustani classical music by his father Dr. Nagarajrao Havaldar, a well-known Hindustani classical vocalist. He was trained under masters like Pandit Madhava Gudi of Kirana Gharana and Pandit Panchakshari Swami Mattigatti of Jaipur-Atrauli Gharana, and is fortunate to inherit the finest nuances of both the Gharanas. He is now pursuing his training in Dhrupad and Khayal from Pandit Indudhar Nirody. He is a graduate in Psychology from Bangalore University and completed his master’s degree in music from KSGH University of Music and Performing Arts, Mysore. He is a recipient of the Kishora Pratibha Puraskar instituted by the Kannada & Culture department, Government of Karnataka (2000), and has performed at Yale University and the Chicago Center of Music. He also taught underprivileged children at the Afghanistan National Institute of Music in 2009. He is also on the elite panel of Artists at the Department of Kannada & Culture Govt. of Karnataka since 2000 and an approved graded artist for All India Radio and national television. QPTV New York has recorded his music and he does regular telecasts in the US.

Rutuja Lad was initiated into music by her parents Tanuja Lad and Umesh Lad right from the age of 5 years. Later She started learning from Gaanyogini Dhondutai Kulkarni, a torch bearer of Jaipur Atrauli Gharana and was under her tutelage until she passed away in 2014. She also learns harmonium from Shri Sudhir Nayak, and is now studying under the able guidance of Dr. Ashwini Bhide Deshpande. She has won several prizes in the intercollegiate state level classical and semi classical music competitions, and has also participated in the music reality show Marathi Idea SRGMP (Season 7) and reached till the top 6 level. She has performed at prestigious events organized by the Dadar Matunga Cultural Centre, Bhavans Cultural Centre, Hridayesh Arts, INT Aditya Birla Centre of Performing Arts, Suburban Music Circle, Gaanyogini Mahotsav, etc. She has completed her M.A in music and stood first in S.N.D.T University music department. She is presently a visiting faculty member of the Post- Graduate Music department of S.N.D.T University.

Bindhu Malini Narayanaswamy is a singer trained in both Carnatic and Hindustani music, and hails from a family of musicians. She was a disciple of Padma Bhushan Ustad Abdul Rashid Khan, who lived in Kolkata and was the oldest exponent of the Gwalior Gharana. She has composed and sung for jingles and films in Hindi, Kannada, and Tamil. Since 2014, Bindhu has also been part of a musical narrative on Hazrat Amir Khusrau. She and her sisters Jaya and Archana perform 'Akatha Kahani' a creative work that integrates song, dance, and storytelling to share their journeys in discovering Kabir. In 2011, Bindhu headed a British Council-supported Connecting Classrooms project. Called International Voices, this project was a run up to the 2012 London Olympics and featured 60 children, including 13 from the School of Blind, in a grand musical show. Bindhu has also been involved in theatre, as an actor and also as a music director. She currently lives in Bengaluru with her husband Vasu Dixit, lead singer and songwriter of the folk rock fusion band Swarathma.

Born in Hong Kong, Chow Yiu Fai received his PhD degree at the Amsterdam School of Communication Research, University of Amsterdam. Currently an Associate Professor at the Department of Humanities and Creative Writing of Hong Kong Baptist University, Chow is also an award-winning writer. He released his first lyrics in 1989. Since then he has penned some 1,000 lyrical works for a diversity of pop artists in Hong Kong, Taiwan and mainland China. Lately, Chow has been increasingly involved in prose writing, multi-media and visual art projects.

Natalie Yuen
Singer / Backing vocalist / Voice Talent / Composer / Art Administrator. Recently participated in Herstory Polygon’s “Floating 432Hz”, Pants Theatre Production’s “Gweilo”, Hofi Man’s “Re: Museum of Innocence” and The Artocrite’s “The Venerable Bird’s Eye View” as composer and/or live musician.